Masterclasses & Workshops

In this class you will be introduce to the qualities and ideas that have been developed over the last 16 years of FM research. There are no restrictions or prerequisites, in terms of former experience and background - though the class is directed to professional dancers, everyone is welcome - anyone can easily find their place to work and explore - anyone interested in human evolution.   We will work mostly with “movement situations” - irregular training methods to provoke and increase the adaptive value of your behavioral traits and strategic planning. We will work on complex and most of the time improvised structures to improve your movement qualities and increase your creative variability. We will help you to understand the underlying principles of human motion and how stress and pressure affects our perception, behavior and actions and how creatively adaptive you are in complex situations.  Foster improvisation, imagination and creativity. The above are vital to problem solving. Which is vital to adaptability, longevity and sustainability. Play games. Expose yourself to difficulties. We will concentrate on strengthening and elaborating your partnering skills - other words speaking: your « communication skills ». Working with the partner will bring us the alive and so precious irregularity in the training; will influence our behavior, the diversity of qualities, tempo and rhythm of our movement. We will also explore individual work - both on imagination, technical - for ex. cognitive or memory skills and others.  Through partnering work,  “movement situations”, coordinations, work with tools, FM Zero Forms we will work on strengthening the focus, the awareness and the whole system. We will break the patterns, learn new patterns and try to find our wings.  We will question how can one learn as much as he can and want? How can one be open to the "new" and still be well rooted?

Amateur / 24 February / 10h-12h

Pro / 19-23 February / 10h-13h

TROIS C-L | 12, rue du Puits
L-2355 Luxembourg